A 1930s functionalist apartment with everything that comes with it. Large rooms, high ceilings, and the kind of natural light that has mostly disappeared from new apartments today. We did not want to turn it into a nostalgic replica of the past. The goal was simply not to ruin what had already worked here for almost a hundred years.
The windows were intentionally left exposed. No heavy layers around them. The entire interior is built around curved forms and soft furniture volumes. Arches and rounded geometries repeat throughout the apartment — from the kitchen to the dining table and even the lighting inspired by the 1930s.
The palette is deliberately restrained. Not to make the apartment disappear, but to create enough calm for art, objects, and the owners’ collections to stand out.
The curves are not just details. Entire furniture volumes are rounded, including the tall kitchen units. It softens the scale of the kitchen and keeps the space from feeling heavy.
All cabinetry is finished in a custom textured veneer made from semi-circular profiles. The surface reacts to light differently throughout the day and gives the wood a subtle depth without needing additional decoration.
The veneer color was matched directly to the flooring. We wanted to avoid the common mistake of layering multiple wood tones next to each other in one room until the interior starts feeling chaotic. It often happens in spaces trying too hard to feel “warm.”
The stone surfaces were kept intentionally quiet. Soft grey tones balance the expressive texture of the wood.
The kitchen island is built around the intersection of two oval geometries. The same principle appears again in the dining table. These rounded forms make the large volumes feel lighter and allow the entire space to flow much more naturally than traditional rectangular layouts. Above the island hang polished chrome lights inspired by the 1930s. Not as retro decoration, but as a natural continuation of the apartment’s original era.
There is no television here on purpose. A projection screen is hidden inside the ceiling and disappears completely when not in use. The living room had to work primarily for art, objects, and collections. That is why the interior palette was reduced almost to a minimum. If the space itself became too expressive, the artwork would stop working. Full-height curtains also play an important role. They soften both the acoustics and the light while bringing a sense of intimacy to the otherwise generous proportions of the apartment.
The bedroom is not separated by a traditional partition. The division is created only by built-in furniture.
This keeps the apartment open and airy even in spaces meant to feel more private. The same approach continues through the material palette — dark wood, textiles, and as few unnecessary layers as possible.
The terrace follows the same calm atmosphere as the rest of the apartment. We did not need to turn it into another outdoor living room.
A few pieces of furniture, good light, and a place to open a bottle of wine were enough.
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by Radka - 11. 5. 2026